Posts Tagged francesco francavilla
Cammy’s Comic Corner Presents: The Cammys – Winners
Posted by Cammy in Special Episode on January 4, 2012
The First Annual Prestigious Cammy Awards! I present you with the winners in the following categories: Best Writer, Best Artist, Best Cover Artist, Best Series, Best Miniseries, Best Single Issue, and Best Graphic Novel.
Congratulations to all the winners!
Best Writer – Scott Snyder: 2011 was the rise of (much needed) new talent in comics, and Scott Snyder definitely led the way. Writing multiple series ranging from Detective Comics to American Vampire, he not only kept every title he was working on consistently good, but he also managed to find some time to help make the 52 Reboot a raging success with titles such as Batman and Swamp Thing. Did I mention he also had his own book Severed debut over at Image while all this was going on? I cannot wait to see what extraordinary things this man has planned for us in 2012.
Best Artist – Francesco Francavilla: It truly was love at first sight when I was first exposed to Francesco Francavilla’s art in the pages of Black Panther: The Man Without Fear. I recall my initial thoughts comparing his style as a looser, pulpier Jack Kirby. It was a style that I definitely was not used to, and yet it entranced me enough to seek out other titles he was illustrating at the time. I became the biggest Francavilla fanboy this year, that it was a dream come true meeting the man at Comic-Con this past summer, and thanking him for giving me multiple eyegasms. Francavilla isn’t going anywhere but up in 2012, and I plan on being right at his side and supporting him any way I can.
Best Cover Artist – Francesco Francavilla: Hey, I warned you that I fell in love with his art this year! The dynamic covers he produced week after week was just the cherry on top. Francavilla’s covers are constantly highlighted in my Cammy’s Favorite Covers segment every week because each one is a work of art, and he’s bringing back the notion that the cover should get you excited for the comic book itself. Every week when I go through my stack, I get so tired of the bland covers with the heroes in the same old action poses, bringing nothing new to the table. Then comes along Francesco Francavilla to restore my faith in humanity (well, comics anyway).
Best Series – Sweet Tooth (Vertigo): This category was a tough one; originally I had twelve titles selected, and I couldn’t even whittle it down to five, I just had to do six without feeling guilty. Alas though, Jeff Lemire’s Sweet Tooth stole my heart month after month with its fantastic ongoing adventure. We’re still not 100% positive of Gus’ origins, but we have a much better understanding of this post-apocalyptic world that it’s set in. Lemire’s story and art are the perfect combination, being the reason Sweet Tooth is the series I recommend the most to friends who ask me what’s good to read. It feels like it could go up to sixty issues, and I’ll be there every step of the way.
Best Miniseries – American Vampire: Survival Of The Fittest (Vertigo): As if the ongoing American Vampire series wasn’t entertaining enough, here comes Snyder bumping it up a notch to ‘epic’ with this miniseries. Set during World War II with a pair of familiar faces, this miniseries was created to show a much more in-depth look at the vampires of this world that Snyder has created. Ranging from ancient vampires to Nazi vampires, artist Sean Murphy does such a spectacular job illustrating every action-packed issue, that my mouth was watering month after month upon waiting for the stunning conclusion. With another American Vampire miniseries debuting this year by the same creative team, it’ll be very interesting to see if they can out-do themselves (which I have no doubts that they can).
Best Single Issue – Detective Comics #881 (DC): I believe that there are only a handful of good Batman stories that have come out in the past decade, the majority being written by Grant Morrison. Then comes along Snyder from out of the blue to tell an ongoing story throughout the pages of Detective Comics, then suddenly wrapping every loose-end up in a pretty little bow in issue #881. Add artists Jock and Francesco Francavilla into the mix, and their dueling styles dance and blend beautifully together in this series finale of sorts. It was such a suspenseful and majestic read from start to finish, that at the time I immediately went back to re-read it all over again. This issue proves that good storytelling isn’t dead in this industry that heavily relies on comic book events nowadays.
Best Graphic Novel – Infinite Kung Fu (Top Shelf): When I first heard about Infinite Kung Fu earlier this year, the description was short and sweet; “It’s long, but totally mind-blowing!” Consider me sold. The graphic novel itself took creator Kagan McLeod almost a decade to complete, and the love he puts into it can be seen throughout every page in this martial arts masterpiece. It’s the perfect blend of those old kung fu action flicks, blacksploitation and horror for the craziest comic book concoction you could ever dream of. I’ll go into more detail in my written review later this month, when I crown it my Book Of The Month selection for January.
Cammy’s Comic Corner Presents: The Cammys – Nominees
Posted by Cammy in Special Episode on January 1, 2012
The First Annual Prestigious Cammy Awards! I give you the nominees in the following categories: Best Writer, Best Artist, Best Cover Artist, Best Series, Best Miniseries, Best Single Issue, and Best Graphic Novel.
Tune in January 4th, 2012 for the results!
Cammy’s Favorite Covers for 12/28/11
American Vampire #22 by Rafael Albuquerque
Eeeyyy! Grease Lightning, go Grease Lightnin’! So as the cover suggests, we now find our vampires in another decade (yet again). The stylings of a vampire greaser is oddly appealing-yet-fitting to me, and the typography is the cherry on top. I enjoy this series immensely, and I’m not worrying about it jumping the shark in this arc (That was a Fonzi reference, kiddos)! Really enjoyed the stylized simplicity that Rafael put into the cover.
Captain America & Bucky #625 by Francesco Francavilla
If you don’t follow Francesco on Twitter, you really should; every day he posts something new that he’s working on, and the result is always gorgeous. It’s like unwrapping a new present every day, and you still smile every single time. I remember a while back seeing some Captain America action interiors done by him and I was overjoyed. Then I see this cover, and my eyeballs instantly eyegasmed. Everything you need to know about this issue is presented to you on the cover; HYDRA, WW2, and Cap & Bucky. This I can definitely see as the cover they use on the eventual collection.
Haunt #20 by Nathan Fox
Not only is the direction for the series fresh, but the covers by Fox have grown by leaps and bounds as well. I’m instantly hooked by the bizarre array on the cover, and for those who know me, I’m always a sucker for blood-splatter and vibrant neon colors. It’s almost like looking at a 3D acid trip, slowly becoming immersed in this twisted and strange new world. Bottom-line is this; Nathan Fox really brings it with this cover.
The Mice Templar Volume III #6 by Michael Avon Oeming
Did I mention that I’m also a major sucker for watercolors? Because I totally am. Not just well done watercolors, but the combination of inks being incorporated in the flow of the image as well. Very excellent use of the colors on Oeming’s part, and the reds especially hit you with that good creepy feeling. Of mice and men for sure!
The Flash #4 by Francis Manapul
As usual, Barry Allen is the center of the universe. Apparently giving him his own title didn’t inflate his ego enough, so let’s just crank it up to 11 and make him the center of attention as well! Even the text seems drawn to his animal magnetism! I really enjoyed a lot of the white backgrounds this week, especially when there was tons of well-placed colors balancing the image as a whole at the same time. This cover looks great, and really does encapsulate the Flash as a character who is constantly in motion.
The Unwritten #32.5 by Yuko Shimizu
This is my favorite cover of the week, hands down. Everyone else can go home, because Shimizu came, saw, and completely conquered the competition this week. How could you not want this framed on your wall? Shimizu puts such excruciating detail in her covers, that you can’t help but kneel before her greatness. I don’t want this just as a poster, I want it as a t-shirt and a way of life as well. Absolute eye-candy!
Cammy’s Favorite Covers for 11/30/11
Haunt #19 by Nathan Fox
One of the main things I like about this cover is the style of the new ongoing artist. Nathan Fox is his own beast, so kiss the Ryan Ottley / Todd McFarlane styles good-bye, and say hello to something new and radical for Haunt! This debut cover really hooks me, with the simple layout and radiant colors. The blending of blue and red with a touch of possession in the magical smoke really goes a long way, and is hard to look away from. Nathan Fox, I wait in anticipation for not only the interior art, but the future covers as well.
Flash Gordon: Zeitgeist #1 by Alex Ross
It’s been awhile since an Alex Ross cover popped-up on my radar, but I definitely found myself drawn towards this one in particular. Two of the most vile, ruthless dictators the universe has ever seen, and Flash Gordon caught in the middle, once again our only hope of salvation. I like how Ross used both color and black and white to accommodate the settings for each time period, and even had a Schindler’s List homage (don’t know if it was intentional) with Gordon’s ship being the only colored vehicle in the fleet. Very powerful cover, I can certainly see it as the cover to the future collected hardcover as well.
Green Wake #7 by Riley Rossmo
Being a big fan of Rossmo’s short-but-beautiful run on Daken, it brought me immense pleasure seeing his creepy and psychedelic touch to this cover. Bloody children, the sketchy negative and positive effects, it just reeks of overall eerie. While this cover presents so many questions of what to expect of the story inside, one thing is for certain; it’s not going to be a happy ending, methinks.
Flash Gordon: Zeitgeist #1 by Francesco Francavilla
I am simply at a loss for words. Just when I thought I could write an entire essay on how beautifully fantastic this cover is, he shuts me up by make me examine it for hours, basking in all its glory. This cover is the epitome of science fiction, pulp, and adventure rolled into one. Francavilla is a genius, and I can’t seem to emphasize that enough; I’ll keep shouting it from the rooftops of the internet until the deaf people tell me to put a sock in it!
Cammy’s Favorite Covers for 11/02/11
Animal Man #3 by Travel Foreman
I’m sensing an ongoing theme with these covers; they keep getting more and more twisted each issue, slowly transforming Buddy into a true primal state of being. It looks like the love child of Jeff Goldblum’s The Fly with a Hippogriff, and a little Bebop thrown in for good measure. Another nice touch; the smeared reds in the background. It’s truly a creepy, yet hauntingly beautiful cover.
X-Men #20 by Adi Granov
The pairing of Storm and War Machine on this cover was rather brilliant; both in gray, shiny costumes, and both able to reflect large amounts of lightning. Even their poses go well as a whole. The one thing I can always count on with Granov is his smooth finishes. Nothing ever looks jagged or rushed, for he’s a master at making it all flow together and aesthetically pleasing. I’d definitely be interested in purchasing this if it were a poster! Gorgeous stuff.
Pilot Season: Fleshdigger #1 by Francesco Francavilla
Sometimes the Pilot Season event can be hit-or-miss for me, but if you definitely want to grab my undivided attention, you throw a Francavilla cover at me. I’m suddenly drawn-in by it’s bizarre beauty, and I’m willing to read the rest of the comic inside all because it’s a Francavilla cover. Let’s just examine this decomposing and vile creature we see before us, shall we? I love the wriggling lines all over its flesh, with a great use of both shadow and light. Add all the detail to its coat, and this cover just may be my absolute favorite this week. Bravo, Francesco! You’ve hit another one out of the ballpark!
Sweet Tooth #27 by Jeff Lemire
Very simple cover, but it speaks volumes with the style. We’ve been seeing this Native American influenced representation of Gus in the past few issues, so with him in full-on tribal form, it hints to us that this issue will definitely be touching on a wee bit more of his origin story. I love the use of red and black blending together on a white canvas, for it really does its job of catching your eye. Even the Sweet Tooth logo fits in with the color scheme, and it’s the little things like that which really delivers as a whole to the audience.
Cammy’s Favorite Covers for 9/28/11
All-Star Western #1 by Moritat
I remember when first seeing this cover in previews, I was torn; the amazing Moritat is illustrating it, but why the hell do they feel the need to put Jonah Hex in Gotham?! Surely not every outlaw in the old west has been brought to justice yet, right? After holding this copy in my hands, all my worries washed away. I’ve been a fan of Moritat’s since he was on Elephantmen and Hip Flask, so to see him on a higher profile project like this, I’m tremendously happy for him. You think the cover is pretty, you should check-out his interiors for this issue as well! Complete eye-candy!
Doctor Who #9 by Mark Buckingham
Doctor Who? Check. Tyrannosaurus Rex in a space suit? Check. Space Squid? Check. All done by Mark Buckingham? Triple-check. That’s it ladies and gentlemen; we’ve found the perfect comic book cover.
The Savage Hawkman #1 by Philip Tan
When you have a character being described as ‘savage’, you had better not be playing around. It’s the word that belongs to something that truly looks and acts the part, leaving no doubt in the viewers mind. This cover right here is indeed savage, thanks to the talented Philip Tan. I love that while this rugged brute of a being is ready to kill you with his stare alone, you’re drawn in to all the detail in his armor, weapon and wings. You want to compliment him on looking quite dapper and wild, and yet, you want to flee in terror. Very exciting cover!
Incorruptible #22 by Garry Brown
I’ve always been a fan of splattered blood on covers, maybe that’s why I enjoy reading my comics ringside at MMA fights. This cover really conveys the anger and anguish that’s going on in the character’s face. His eyes in particular are very well rendered, because we the viewers can almost feel all his rage through the cover. Add in a dash of red for the blood (and the Plutonian’s symbol) on a dominantly blue cover, and this illustration definitely works well. It almost reminds me of Paul Azaceta’s great-looking style.
Abe Sapien: The Devil Does Not Jest #1 by Francesco Francavilla
Dear Raptor Jesus this is a beyond gorgeous cover! I mean when I see ‘Francavilla’ I automatically know it’s going to be spectacular, but when I saw this cover, it completely blew my mind! Francesco has really outdone himself this time, and I can’t even image how long it must have taken him to complete. I especially love how the house and blood slowly transition into Abe’s black zig-zag lightning stripes. And those eyes, those menacing red eyes! Sends a chill down my spine. This needs to be the cover for the eventual collection, or else I’m calling for Scott Allie’s resignation.
Cammy’s Comic Corner – Episode 178 (8/14/11)
Posted by Cammy in Weekly Reviews on August 14, 2011
In this action-packed episode the Pick Of The Week goes to Scott Snyder, Jock & Francesco Francavilla for Detective Comics #881 (DC)! Fast Five picks include Baltimore: The Curse Bells #1 (Dark Horse), Fear Itself #5 (Marvel), American Vampire: Survival of the Fittest #3 (Vertigo), PunisherMAX #16 (Marvel), and Hellboy: The Fury #3 (Dark Horse).
Only 2 video reviews remain until the switch to audio!
Cammy’s Favorite Covers for 8/10/11
Frankenstein And The Creatures Of The Unknown #3 by Doug Mahnke
I was not aware this was Doug Mahnke’s art at first. It looked like a mix between Quitely and Rocafort for a split second, but sure enough I can see Manhke’s style shine through. I love the sense of impeding doom on this cover, as the Creatures of the Unknown are surrounded by mechanical mayhem, with no hopes of escaping. The erratic lightning overhead adds a nice effect, and the cover as a whole does a good job of setting the tone for the title.
Baltimore: The Curse Bells #1 by Francesco Francavilla
Just a bell, you may ask? More like a CURSE BELL! Seriously, I would not want to ring this bell, nor hear it ring. Nothing good can come of it. I mean just look at it; it has tattoos like a badass! Bells shouldn’t have tattoos! With this Mignola title returning, it was only a natural fitting to have Francesco Francavilla doing a variant cover for this series, as he usually does for almost every title in the Mignolaverse. The man’s pulpish style is synonymous with the feeling of any Dark Horse book. I much rather prefer his variants to the original covers.
Batman And Robin #26 by Chris Burnham
One name came to mind when I first saw this cover; Seth Fisher. It’s really creepy how much it feels like him, so major props to Chris Burnham for creating an image so wacky, yet so familiar at the same time. While the Eiffel Tower poking Batman in the eye does make me cringe (only because pointy objects in eyes freaks me out), the crumbling of the Boy Wonder is very well executed. So many nods to famous gallery pieces, that this cover itself should be hung in the Louvre.
Batgirl #24 by Dustin Nguyen
A very fitting final farewell cover to such an epic and enjoyable run. Nguyen does a marvelous job incorporating every character that made an appearance in its twenty-four issue life, that it truly is a walk down memory lane. Farewell Stephanie Brown, and thanks for all the memories. You will truly be missed.
Cammy’s Favorite Covers for 7/13/11
Posted by Cammy in Covers, Weekly Reviews on July 15, 2011
Hellboy: The Fury #2 by Mike Mignola
Now this is a fantastic cover to start the week with. You see depicted Hellboy fighting a dragon. A dragon! Something I never thought I’d see in a million years is executed flawlessly by Mignola. The earthier tones are what really make it shine, with Hellboy not a vibrant shade of red like we’ve grown accustomed to with these covers. The use of negative space surrounding the two figures is also really well done, it’s just one of those pieces that you find yourself getting lost in. This is one of the best Mignola covers I’ve seen in recent memory.
I always find myself enjoying Nguyen’s hybrid style of watercolors and inks when it comes to these covers. The use of violet, white, and black make the cover flow with action and beauty in every inch of the image. I especially love the little smirk on Stephanie’s face, as she’s taken quite the pounding. It’s like she knows she still has the upper-hand, despite what the current situation looks like. Even though this series will soon be coming to an end, I will definitely be on the lookout for Nguyen’s style on other covers in the future.
B.P.R.D. Hell On Earth: Monsters #1 by Francesco Francavilla
With the typography of the word ‘MONSTERS‘, it immediately sets the tone of the cover. Francavilla’s pulpy style brings new meaning to the characters we see before us. It makes us instantly imagine wicked and evil beings, with Kate being caught in the middle. With red in the foreground and black and white in the background you find your eyes darting all over the page trying to make sense of the current situation. Are those beings undead? Is Kate in serious trouble? Is this an old movie poster? It very well could be, but I’d rather it be a poster on my wall instead. Francavilla’s covers are a thing of beauty, and I’m always a fan of his stamp he puts on every one of them.
The Amazing Spider-Man #665 by Paolo Rivera & Michael Lark
Okay, this cover made me laugh out loud the first time I saw it. With the Spider-Man musical being plagued with technical difficulties before it even opened, you have to give Marvel credit for having a sense of humor about the whole thing. I mean, now that they have a new director and it’s been sold-out for the next decade, why not laugh about it now? They could even have this cover be featured on the Playbill and the audience would laugh about it too! Very funny stuff.
Cammy’s Favorite Covers for 6/1/11
Hellboy: The Fury #1 by Mike Mignola
The start to an epic mini-event deserves only the best covers. It’s no secret that Mignola absolutely destroys it on every comic cover he illustrates, but this one in particular adds more suspense to the events that are about to unfold. He’s got one eye, he’s got a giant axe in one hand, and he’s mad as all hell. Watch out, Rebecca Black! He just listened to Friday and now wants to make it your Death-day! The jagged white and black background really does help guide the eye and illustrate the main point of focus (Hellboy), and the reds seal the deal. I’d like this as a poster.
Hellboy: The Fury #1 Variant by Francesco Francavilla
Since this is an important event in the Hellboy universe, it’s only fitting to have an equally amazing variant cover. Enter my favorite artist of 2011, Francesco ‘Psychedelic Pulp Machine’ Francavilla. The layering and different solid colors really float my boat, and the line work is just absolutely beautiful. Look at that attention to detail on the feathers and chain-mail of the angelic king, all the way down to the bottom with a detailed mugshot of our brave protagonist. I nominate this cover as the one they use for the trade. Or the pulpy spin-off book series. Be sure to see the step-by-step creation here!
Moon Knight #2 by Alex Maleev
So while I’m personally not a fan of Maleev’s interior art, I sure as hell enjoy this cover! It’s so simple, yet incredibly detailed if you take a closer look at the costume. His pose reminds me only slightly of The Thinking Man, which would be ironic for Moon Knight since he’s a few fries short of a Happy Meal in the first place. The little things like his cloak disappearing into the background, or the red steam evacuating Ultron’s skull, is what keeps me interested. Again, very simple yet super effective.





































