Posts Tagged book of the month
Cammy’s Comic Corner – Book Of The Month – Mini Marvels Ultimate Collection
Posted by readmin in Weekly Reviews on March 9th, 2010
The Book of the Month for March 2010 is none other than Mini Marvels Ultimate Collection (Marvel) written & drawn by Chris Giarrusso
A good laugh for readers of all ages!
Cammy’s Comic Corner – Book Of The Month – Locke & Key: Welcome To Lovecraft
Posted by readmin in Weekly Reviews on February 2nd, 2010
The Book of the Month for February 2010 is none other than Locke & Key: Welcome To Lovecraft (IDW Publishing) written by Joe Hill with art by Gabriel Rodriguez.
I remember reading the first issue of this volume when it debuted, and completely loathing it. Looking back, I might have been overwhelmed by all that was going on; gruesome violence, rape, and spirits. My mind must have been having a difficult time computing it all, not being able to make sense of what was happening in front of my very eyes. Who were these psychos? What’s that key do? Was there a zero issue I missed? So after reading that first issue I decided to say “fuck it” and just move on to the next comic book in the stack. A year passes and a second volume comes out, Head Games, and it’s getting nothing but great reviews. Still, I cast the series aside and swear it off as too extreme for my tastes. Then finally the third volume starts, Crown Of Shadows, and I decide to give the series a second chance. After all, I was bored at work and running out of new comics to read.
At this point in the review I would like to take a moment and apologize to two individuals. Mr. Hill, Mr. Rodriguez, I’m so incredibly sorry I dismissed this series and paid no attention to it. Please forgive my ignorance, for I am not worthy to grovel at your very feet. If you’d like, I’ll even commit Seppuku to lift the shame I’ve brought to my family and friends.
Locke & Key is by far one of the best series I’ve read in the past decade. What Joe Hill and Gabriel Rodriguez manage to do to with horror comics is the equivalent of what Andy Warhol did for art. Each issue in this first volume is jam-packed with action, humor, and horror, leaving you the reader hungry for more. I have to warn you though; as much as you want to devour the series whole and read it all in one sitting, do try to pace yourself and savor every bite. I found myself instantly hooked after re-reading the first issue, and forty-five minutes later and I was done, and craving more immediately.
Enough about how brilliant it is, let me explain what the story is about.
The Lockes were a normal family at one point until the father, Rendell Locke, was murdered by a troubled former student and his psycho friend. Because of this tragic event, the surviving family moves to the family mansion in Lovecraft, Massachusetts. The story focuses on the three kids; Tyler, the oldest, Kinsey, the rebellious middle child, and Bode, the youngest and my personal favorite. The death of their father traumatizes them, and they each deal with the loss in their own way. Bode spends his time exploring the dusty old mansion, and discovers a strange key that when inserted into a specific door, will allow the key-bearer to walk through. Only two things will happen when you walk through; the first being you die. The second being, your spirit allows you to travel wherever you want. Enter back into your body, and you’re alive again. As if having the same psycho who killed your father escape prison not bad enough, it gets worse; there’s an evil being trapped in the well, and all she needs is a certain key to get free so she can collect them all.
That’s one of my favorite things about the series, is all the magical keys. We’re only introduced to a few in this volume, but the fact that there are several more that have not yet been discovered thrills me to no end! Just imagine all the possibilities!
Gabriel Rodriguez’s art in this fits the tone of the story wonderfully, and you get a good sense of what each character is feeling. I especially love the spirits, because they’re not there altogether. You might see a little bit of face and maybe an arm, but the spiritual body is constantly changing. And if you’re a fan of blood and gore, you’ll especially be enjoying some of the spreads throughout this volume.
Overall this is the perfect choice for fans of the horror and fantasy genres. It’s also a nice little reminder what comics can be without having to involve capes and cowls. So before you run out to your local comic store and pick-up this wonderful collection, remember what I said before; try to slow down and savor it, because you’ll definitely be wanting seconds after you’re finished.
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Book Of The Month – June – LOCAL
Book Of The Month - July – Sub-Mariner: The Depths
Book Of The Month – August – Superman: Secret Identity
Book Of The Month – October – Welcome To Hoxford
Book Of The Month – November – The Nightly News
Book Of The Month – December – CLA$$WAR
Book Of The Month – January – The Umbrella Academy: Apocalypse Suite
Cammy’s Comic Corner – Book Of The Month – The Umbrella Academy: Apocalypse Suite
Posted by readmin in Weekly Reviews on January 5th, 2010
Book Of The Month – January
The Umbrella Academy: Apocalypse Suite
Written by Gerard Way
Art by Gabriel Bá
When it comes to superhero teams in comics nowadays, the market is flooded. Each one a knock-off of the one before it, with very little room for standing out and captivating a new audience. Comic fans know what they like, so to introduce a favorable new team to them that isn’t a tweaked version of the X-Men or Teen Titans is not an easy task to accomplish. Furthermore, to have the writer be a successful celebrity in another medium that appeals to the “Hot Topic” crowd, is just on the road to ruin straight-out the gate. Before one page is even published, you’re already fighting an uphill battle against all the internet trolls that post at various forums and websites dealing with comics. You just can’t win.
Or can you?
Enter The Umbrella Academy: Apocalypse Suite written by Gerard Way, of My Chemical Romance fame, and art by Gabriel Ba, a little-known artist from Brazil who has a twin brother. These two did the unthinkable and created a comic book that is loved by many people from all walks of life. To be fair, it took awhile to finally catch-on. With the name “Gerard Way” on the cover, unfortunately many comic folks wouldn’t dare touch it, fearing it was going to associate them with being a fan of goth / emo / screamo music. I personally am a fan of My Chemical Romance, but I’m hardly what you could call a die-hard fan of the band. I almost don’t want to admit that I listen to the music, just because I’m afraid people would automatically slap me with the label “bias”, and that’s the only explanation of why I would pick-up such a comic. What a lot of people don’t realize is that Gerard Way is a hardcore comic book fan. As a matter of fact, he was working at DC Comics as an intern up until 9/11 happened, and he then took to music.
So enough about the back story of how the comic came to be, and onward to what it’s about; it’s about family. More specifically, a dysfunctional family of seven children who were all born at the same time and raised by a wealthy alien posing as human, who will all one day save the world from total annihilation. Got your attention? Good. The seven children are raised to fight crime and save the day with the powers they were born with, all given a number instead of a name. Eventually we come to know them by their codenames, and each of their unique personalities.
Spaceboy (00.01) is the team leader, and due to an accident on a mission to Mars, has the body of a space ape thanks to an experimental surgery to save his life. The Kraken (00.02) is the rogue of the group, doing things his own way (which usually consists of a sharp knife). The Rumor (00.03) can make things happen just by starting her sentence with “I heard a rumor…” which makes her very dangerous. The Séance (00.04) is a rather morbid fellow, who is able to channel the dead (among many other psychic abilities). The Boy (00.05) disappeared into the future, and remained there for sixty years before coming back. He may look like a boy still, but he’s incredible deadly. The Horror (00.06) is dead. And finally, Vanya (00.07) isn’t special at all, and plays the violin. Together, they saved the world countless times when they were children. In the present, they’re only back together because of the death of their father.
Dur
ing their family reunion, darker things are happening at the Icarus Theater where the villain known as The Conductor is composing the end of the world, The Apocalypse Suite, and Vanya is the missing key. Eventually turning her against her adopted family, she personally leads the symphony of destruction with her newly acquired powers. First her family, then the world. So to call them a dysfunctional family would be putting it lightly. Whenever I fight with my sister, billions of lives don’t hang in the balance.
The art on this series is just absolutely superb and breathtaking. Gabriel Ba really does a fantastic job creating such a uniformed team in his abstract style. Usually when you think of what a superhero is suppose to look like, you might think of a Jim Lee or Rob Liefeld type figure, with muscles galore and crisp, clean pectorals. With Ba’s style, they feel how they act; disheveled. His attention to detail has you completely captivated, making you smile as you turn to examine every inch of every page. Dave Stewart’s colors compliment the art very nicely, and do a great job setting the tone and setting of the dialogue. As children we’re told to color inside of the lines, and what Stewart sometimes does is color outside the lines ever-so slightly, making worlds of difference when you’re indulged in the colors. Finally, the covers by James Jean are out of this world. I don’t know how Way & Ba got so lucky to get him to contribute the covers, but they are exceedingly beautiful, almost bringing me to the verge of tears (I kid you not, look at the cover to issue four).
I personally think this is the perfect comic book series. We’ll always have the constantly changing Justice Society of America and X-Force titles, but once in a blue moon a series like The Umbrella Academy will come along and completely blow everyone away. The fact that it’s not a series from decades past, but merely a few years ago still boggles the mind, for it has already survived and has amassed a huge fanbase on the same scale as some of the Marvel and DC titles currently have. I cannot tell you how many times I have recommended it to non-comic book fans and got them hooked. They don’t have to worry about any continuity or origin stories, for it’s all right there in six issues.
So remember, never judge a book by its cover, especially this one. A second series is already out, and a movie is also in the works. Jump on board and have a fun time, for I personally guarantee you’ll love it.
Discuss this pick on the forum!
Book Of The Month – June – LOCAL
Book Of The Month – July – Sub-Mariner: The Depths
Book Of The Month – August – Superman: Secret Identity
Book Of The Month – October – Welcome To Hoxford
Cammy’s Comic Corner – Book Of The Month – CLA$$WAR
Posted by Gregory in Weekly Reviews on December 1st, 2009
Book Of The Month – December
CLA$$WAR
Written by Rob Williams
Art by Trevor Hairsine and Travel Foreman
As a comic book reviewer, I’m offered quite a lot of comics to read and review by companies, creators, and the little guys no one has ever heard of. Most of the time the material I’m sent is good fun stuff, making me love the fact that I’m able to spread the good word about these titles to the undying masses. Then a comic like Cla$$war will come along and completely blow me away.
It’s comics like this that make you kick yourself for not knowing about it sooner, making you curse the heavens that it flew underneath your radar all those years ago. What other comics could have possibly been so important to yourself back in 2002, that this series completely passed you by? Batman? Spider-Man? The same old superheroes who always let the villain get away?
Well get ready for a breath of fresh air, because that’s exactly what Cla$$war delivers, and plenty of it.
The series revolves around a superhero called American, and he’s seen the light thanks to a renegade CIA agent by the name of Issac. Their mission; to open the eyes of the American public and reveal who the true villains are; the corporate CEO’s, the Government, and pretty much anyone else who happens to be white and insanely rich and powerful.
The time period this takes place in is during the George W. Bush reign of terror, and sure enough Dubya is one of the big baddies in the series, as moronic as ever. After American decides to take the president ten thousand feet up in the air to have a little ‘chat’, Issac plays a tape of American informing the vicious deeds of the United States government for the past twenty years. He’s tired of all the lies and the people he’s killed over the years, so it’s up to him and Issac to bring the real bad guys to justice.
Along the way he has to battle his old teammates of the supergroup the Enola Gay, made-up of some of the biggest superhero baddies that only science can create. The clashes are truly epic, making it feel like the issue is shaking in your hands from the aftershocks. I won’t spoil it for you how it ends, but let’s just say there’s an awful lot of gore and violence going down because of the circumstances.
When this six-issue miniseries debuted back in 2002, the original artist was Trevor Hairsine who stayed on for the first three issues, and the last three issues were drawn by Travel Foreman. Even though there are two different artists, it doesn’t distract the reader at all, and continues to flow smoothly with the story. Trevor Hairsine’s style gets compared to Bryan Hitch’s stuff a lot, and with good reason; it’s gorgeous to look at and really captures the characters well. The costumes, the facial expressions, the action, all rendered beautifully by Hairsine’s style. While it might resemble Hitch’s style at times, Hairsine makes it his own without question. He’s an artist I’ll definitely be looking out for in the future. As for Travel Foreman, it might have been difficult to fill the shoes of Hairsine after the third issue, but he shows no signs of frustration or stress in his pages. The art looks just as great, and some of the two-page spreads he throws at us will knock your socks off!
The overall story Rob Williams tells is just a fantastic read, and had me hooked after the first issue. You want to see the bad guys get what’s coming to them, and myself growing up and surviving the Bush reign wants to see Dubya get punished for his crimes especially. The story reminded me a lot like the dark superhero stories you see nowadays (Irredeemable, Black Summer, The Mighty), only the twist being the superhuman is going rogue against the ‘good guys’ like the President of the United States. The good kind of rebellion.
So do yourself a favor this holiday season and pick-up Cla$$war, if not for yourself, then for your comic book friend who thinks they’ve seen it all. Blow his or her mind with the awesomeness that is Cla$$war.
And to think, this is only the first series. Something tells me we’ve ain’t seen nothing yet!
Discuss this pick on the forum!
Book Of The Month – June – LOCAL
Book Of The Month – July – Sub-Mariner: The Depths
Book Of The Month – August – Superman: Secret Identity
Cammy’s Comic Corner – Book Of The Month – Welcome To Hoxford
Posted by Cammy in Weekly Reviews on October 11th, 2009
Book Of The Month – October
Welcome To Hoxford
Written & Drawn by Ben Templesmith
When I picked up the first issue of Welcome To Hoxford, I didn’t know what to expect. The cover depicted this psychopath covered in blood sitting in a jail cell, so I knew it probably wasn’t going to be about puppies and kittens. Well, puppies are in the story, but they have nasty big pointy teeth. I knew who Templesmith was at the time from his gorgeous art on 30 Days of Night and Fell, but I wasn’t familiar with his creator owned work such as Wormwood: Gentleman Corpse. So upon reading the first issue of his latest work, I was completely in awe of what I just read.
It was sick, deranged, funny and horrifying all at the same time.
Needless to say, I was hooked. Every issue that came out was better and more fucked-up than the last, keeping me enthralled with this spectacular series. Not only was Templesmith’s art just complete eye-candy to look at, but his story was equally as haunting and enjoyable.
The story revolves around this psychopath Ray Delgado, as he’s transferred to this new privately owned and operated maximum security prison known as Hoxford. It’s run by the Russians, and only the worst of the worst criminals, rapists, and thugs are sent to Hoxford to be forgotten by the society that they gave the finger to. The Warden and guards of this fine establishment have a deep dark secret of their own that they can’t wait to share with the new inmates, and one of the people who might potentially spoil the surprise is Ray’s psychiatrist Dr. Ainley when she comes to check-up on her patients. You see, if Ray isn’t on his medication, then he’ll revert back to being his usual aggressive and cannibalistic self.
Sure enough, Ray isn’t on his meds and thinks he’s Cronos, God of the Titans and master of all. The other inmates go along with it because none of them are crazy enough to piss Ray off and have him go apeshit on their ass.
The secret of the Warden & Co.? They’re all werewolves, and the inmates are their prey. And these aren’t you’re typical werewolves that you see on the screen, no no no. These werewolves are giant monstrosities with endless rows of teeth. If there’s one other thing that Templesmith is a master at drawing besides tentacles, it’s sharpy pointy teeth. So it’s a free-for-all at the prison with the inmates not standing a chance. It’s as if a group of big game hunters arrived at the local zoo and just went wild killing everything in site. These inmates are the scum of the universe, so no one is going to miss them if they happen to disappear down the gullet of a grizzly ancient beast.
Ray isn’t scared. He’s a God, and must do battle with the beasts to defend his heavenly kingdom. And that’s exactly what he does. Bodies of his slain enemies surround him, and he slowly comes to the realization that he isn’t a God, but a hunter like the rest of these beasts. As a matter of fact, he fancies himself as an Alpha Male, and decides he will challenge the current leader for that position.
In the end of the issue, Ray does kill the leader in a bloody battle and is the new Alpha Male of the pack. All hail Ray, and those who are still alive should flee as fast as possible.
After reading the trade again in one sitting, I realized that I had goosebumps. This story was such a great read when it first came out, and I’m overjoyed to announce it still lives-up to the hype months later. If anything, it’s more horrific since I don’t have to wait months in between like I initially did.
Templesmith has such a unique style in his art, that you can just tell how much he loves his job. Although this was just a miniseries, I’m craving (nay, demanding!) more creator owned series from him. I always have such a fun time reading anything he’s doing the art for, that I’d love to read more original stories by the guy. I’m sure he’s an untapped treasure trove of stories like Welcome To Hoxford and Wormwood: Gentleman Corpse, that all he needs to get going on more stuff is support from his fans.
Mr. Templesmith, go and do that voodoo that you do oh so well!
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Book Of The Month – June – LOCAL
Cammy’s Comic Corner – Book Of The Month – Sub-Mariner: The Depths
Posted by Cammy in Weekly Reviews on July 3rd, 2009
From Marvel Knights, the Book Of The Month for July is Sub-Mariner: The Depths written by Peter Milligan and art by Esad Ribic. This title is a must-have for any fans of Namor or eerie horror movies, because you get the perfect combination of both in this underwater thriller!
Stay tuned at the end for the contest!
Sub-Mariner: The Depths
Written by Peter Milligan
Art by Esad Ribic
When I was younger, I used to love going to the beach with friends. Bring a beach ball, go body surfing, run along the sand, you name it. I got caught in a riptide once and taken out to sea, but it wasn’t long until lifeguards came out to rescue me. While I was drifting amongst the waves, I remember feeling afraid because I was out of my element. If something larger than me was nearby and hungry, I would turn into lunch rather quickly. Thankfully that wasn’t the case and I was rescued soon after.
It wasn’t until years later of traumatizing movies (Jaws) and television shows (Shark Week) that I came to the conclusion, “You know what? Fuck the ocean.”
With Sub-Mariner: The Depths from Milligan and Ribic, it drags me back out to the ocean like a riptide, and creeps me out the entire time just like a good horror movie would.
I think one of the main things I like about this mini-series is that Namor is and isn’t the main character; he’s the fabled being protecting the lost city of Atlantis, and yet we barely see him throughout. We focus more on the protagonist Dr. Rudolph Stein, famous debunker of myths and tale tales. This guy has proven with science that the Yeti isn’t real, an when approached by fellow scientists to go in search of Atlantis, Dr. Stein sees this as another notch on his belt of accomplishments and jumps at the opportunity.
But he’s not just descending 33,000 feet in a submarine to see if Atlantis is real or not, he’s also in search of Captain Marlowe, the man who has claimed to have discovered the fabled lost city.
On their way to the Marianas Trench, the crew tells Dr. Stein of Atlantis’ protector, Namor, and how they’re in his underwater realm now, and he’s so terrible that he was responsible for the sinking of the Titanic. Dr. Stein laughs all this off, for he is a man of science and doesn’t believe in all this nonsense.
However, just before reaching the outpost, Dr. Stein has a dream of a Namor-like being haunting him. The crew informs him that when Namor appears in your dreams, he has something special planned for you. Because of this, Dr. Stein goes a little loopy trying to make sense of it all.
When they finally arrive down at the Marianas Trench outpost, Dr. Stein and the crew discover a grizzly scene involving the remains of the men who lived there. Someone or something brutally murder the crew, leaving the place looking like a slaughterhouse rather than a research facility. The only evidence of what took place there was recorded on a single camera, confiscated and observed only by Dr. Stein.
All he sees of the monster is a winged foot.
Not wanting to stick around and see what did this, Dr. Stein and the crew continue further down into the blackness in search of Captain Marlowe and Atlantis. What they find is Captain Marlowe’s submarine, and more dead crewmen. The only survivor of the massacre is Captain Marlowe himself with proof that Atlantis exists.
Sure enough after viewing the film, Dr. Stein realizes that Marlowe has indeed discovered Atlantis, making everything he has worked so hard to prove false a possibility, and Dr. Stein can’t have that.
While Dr. Stein tries burning the evidence, he is discovered by Marlowe and the two fight. In the middle of their struggle, we finally see Namor in all his glory.
Within a blink of an eye, Marlowe is torn to shreds by Namor, and disappears as quickly as he appeared. Trying to confess to the crew that he himself killed Marlowe, Dr. Stein isn’t believed for a second. The crew knows who killed him, and demand to see Marlowe’s film.
Dr. Stein comes to the conclusion that now the film must be destroyed by any means necessary, even if it means killing the entire crew and himself.
So while in his moment of madness, he knocks-0ut the captain and pilots the submarine into a sea devil, tearing apart the vessel and any evidence as he escapes in a pod.
While it looks like he’ll die from lack of oxygen before reaching the surface, it appears that Namor does in fact still have plans for Dr. Stein as he makes sure he returns to the surface alive and in one piece.
Dr. Stein tells his fellow scientists that the fact he survived was no miracle, but simply being trapped in a pocket of air from the ocean floor. He then makes the definitive statement that Atlantis does not exist, and that Captain Marlowe and his crew died when they drove into that sea devil.
Only Dr. Stein knows the truth, and will take it to the grave with him. The world does not need to know that Atlantis does exist, and beings like Namor are more fact than fiction.
Peter Milligan really took me by surprise with this series, because I was so used to his stuff on X-Force with Allred. The story he tells truly is terrifying, because underwater was not meant for man, only fish. He introduces Namor only in the shadows, stalking his prey like a master predator before finally revealing himself for the killing blow.
Esad Ribic’s art just blew me away page after page! He really did an amazing job setting the dark, creepy tone of the book with the bright characters surrounded by darkness. To only see Namor in shadow rather than in focus is a lot more terrifying, because you don’t know exactly what you’re looking at while it observes you from a distance.
In closing, this book is easily accessible to anyone. It doesn’t take place in the 616 Universe, so new and old readers can enjoy a classic Namor story without having continuity get in the way. It’s what makes it so timeless, and an instant classic. If you like horror, if you like comic books, this is the perfect underwater thriller for any library.
Cammy’s Comic Corner – Book Of The Month – LOCAL
Posted by Cammy in Weekly Reviews on June 17th, 2009
In this special Book Of The Month episode, we focus on the LOCAL hardcover from Oni Press. Written by Brian Wood and art by Ryan Kelly, this truly is a ‘must read’ for comic fans of all colors.
Book Of The Month – June
LOCAL
Written by Brian Wood
Art by Ryan Kelly
I remember when I went through my whole “punk rock oi oi oi!” phase in high school. Rebelling against society by wearing this ridiculous torn-up vest with patches and pins covering every square inch, along with whatever punk band t-shirt I had in the closet. I went to the concerts, hung out with the kids who always got in trouble, played my music really loud, and just didn’t give a flying fuck about the world. Back then, this was my escape from reality. I didn’t have a drivers license, so I couldn’t travel the country like I wanted to and really get out of the whole California mindset. When college happened, all my friends dispersed across the country (and even the world) going on great adventures, and just living life to the fullest while I was back home in San Diego going to classes at the local community college.
What am I getting at, you ask? I’m almost there, not to worry.
What Brian Wood and Ryan Kelly have done with this marvelous collection is bring the outside world to me in 344 beautiful black and white pages spanning across twelve issues. We start out in Portland, Oregon and end in Vermont, hitting many other cities along the way. We follow a young girl named Megan, and watch her slowly grow a year older and a year wiser every issue, as she travels constantly throughout North America.
Even at a young age, Megan was always on the run. Her mom simply allowed it because she wanted her daughter to live life to the fullest and take chances and learn from mistakes. Something she herself might have lost when she hunkered-down and got married. So while Megan appears in every issue, she’s not always the main character. Sometimes she’s just in the background, but easily fits with the setting and story.
- Issue 1 – “Ten Thousand Thoughts Per Second” – Portland, Oregon
- Issue 2 – “Polaroid Boyfriend” – Minneapolis, Minnesota
- Issue 3 – “Theories and Defenses” – Richmond, Virginia
- Issue 4 – “Two Brothers” – Missoula, Montana
- Issue 5 – “The Last 10 Lonely Days at the Oxford Theatre” – Halifax, Nova Scotia
- Issue 6 – “Megan and Gloria, Apartment 5A” – Brooklyn, New York
- Issue 7 – “Hazardous Youth” – Tempe, Arizona
- Issue 8 – “Food as Substitute” – Wicker Park, Chicago
- Issue 9 – “Wish You Were Here” – Norman, Oklahoma
- Issue 10 – “Bar Crawl” – Austin, Texas
- Issue 11 – “The Younger Generation” – Toronto, Ontario
- Issue 12 – “The House That Megan Built” – Vermont
Many of my friends still travel around constantly, so I’ve had the pleasure of nicknaming them such gems as ‘Carmen Sandiego’ and ‘Willy Loman’. While reading Local again after it originally ended last year, the thought occurred to me that these same friends would enjoy this comic. This series shows that comics don’t always have to be about superheroes and capes, but they can actually tell a marvelous and powerful story about a variety of real life topics, including a journey of self-discovery. Light-hearted at times, and very dark in others, this series falls in the catergory of something both comic fans and non-comic fans will enjoy throughout time.
After reading it again for the show, I really felt the urge to just get in a car and drive wherever the road took me, leaving this geeky life of mine behind (for a while, anyways). Then I realized I don’t have the balls for such a spontaneous adventure. Perhaps I’m better off finding that old punk vest of mine and listening to some Misfits and Anti-Flag while rocking the fuck out.
I cannot highly recommend Local enough, and urge you all to go out and try something new, and skip DC and Marvel for just this once.
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